Saturday, October 9, 2010

Blue Mask - "Something New"


Futuresports


You can download my Futuresports > Fun + OK album here for free

Wednesday, August 18, 2010

Banx’s Burp - an alien body with & without organs (originally printed in Radio As Paper #4)


One of the joys of comics is the thrill of discovery - sifting through piles of dusty genre material in the hope that work of value will peek to the surface, whether hiding in longboxes, second-hand book shops, op-shops or down the back of the couch. It’s a similar impulse to second-hand record shopping - eyeing up half-remembered, arcane looking album covers, thinking to yourself, “Is there something in this?”. More than often you’ll come up short, but with enough persistence you might end up succumbing to the “op-shop bends” - that stomach-churning state of sudden excitement only experienced when you’ve stumbled upon something totally fucking rad.

I felt this in way late December 2009 - when rifling through Balmoral’s op-shop, checking out a framed print of Duchamp’s Nude Descending A Staircase hanging above a clothes rack, I picked up a cardboard box of around twenty-five Oink comics. I instantly clicked that I’d struck a goldmine - a large collection of English cartoonist Banx’s uncollected Burp comic strips, plus extra assorted misc by the British cartooning guru, mixed in between generally undistinguished strips of a smelly nature. That might be a bit harsh - Oink was an interesting breed of English comics publication put out in the late eighties, focusing on scatalogically themed humour featuring characters like Pete and His Pimple, Tom Thug or Harry The Head (drawn by the Fall’s Marc Riley!). Kind of like a punky precursor to Viz or Toxic but, “y‘know, for kids“. There’s some good bits here and there (notably, strips by Tony Husband) but nothing holds a candle to Banx’s psychotically violent and hilarious page works. A good litmus test of funny comics is if you can sit around with your mates and some beers and they make you laugh out loud - Burp passes with an extra gold star for great drawings.

Burp’s premise is simple – it stars a cheerful bug-eyed alien named Burp who has sentient internal organs that he can pull out of his body and put to various uses. Each of his organs is a cartoon character that he can chat to, hang out with, etc. Landing his spaceship in late 80s England, Burp is unfamiliar with Western social codes - much humour is achieved through his innocently disgusting and destructive interactions with the British populace. On top of that, there are gags involving alien technology and pets, all complemented by Banx’s ear for witty dialogue. It adds up to a sustained light-hearted riff on Cronenbergian body-horror, with surprisingly abject and brutal events occurring throughout, intensifying the hilarity. For example, in a sequence involving Burp inventing a teleportation device that can teleport fast food directly into your stomach, he unwittingly teleports five gallons of tomato ketchup straight into the brain of his unsuspecting human test subject - with explosive results. Other strips show Burp starting a band with his organs, getting kidnapped by his own liver, performing brain surgery on Ronald Reagan, etc. A strip depicting the use of internal body deodorant (“Beauty isn’t just skin-deep, readers!“) recalls Jeremy Irons in Dead Ringers asking why no one has staged a beauty contest for inside of the body. Later into Oink’s publication, Banx switched up the milieu - taking Burp into deep space in an exploratory and sometimes poetic sequence of strips.

As revolting as these developments might be, it’s Banx’s masterly skills as a draftsman that really hammer home the depravity lurking at the heart of Burp. A British cartoonist in the tradition of Ronald Searle or Ralph Steadman, Banx’s lines zoom and splatter across the page - scratchy angular line work with stark chunks of black that pop. His rounded character designs contrast with severe, man-made urban backgrounds. With a gift for grotesquery that calls to mind a neotonically-inclined Basil Wolverton, Banx delights in every grisly detail - body fluids flow freely, a gigantic tongue covered with bursting boils licks a skyscraper. Stink-lines are all over the place, bodies are dismembered/displaced/put back together again, disembodied brains crack wise. Morally ambivalent characters hint at insane violence while wielding huge, razor-sharp weapons out of an LSD nightmare. Burp is totally great, thematically interesting and funny as hell. Check out a selection of Burp strips and more of Banx’s work at his website - www.jbanx.com

Chris Cudby

Monday, July 26, 2010

Monday, June 21, 2010

Sunday, May 9, 2010

Low Hum DVD box-set illustration






















Here's a drawing commissioned for a never-released box of ALowHum DVDs (2007).

Saturday, April 24, 2010

Power Nap


































thanx Andrew McLeod for words and darkness

Monday, April 19, 2010

Sunday, April 18, 2010

WORK page one

Sussurus


In the spirit of this blog, here's a drawing I did in 2008 of a Sussurus based on a drawing in the AD&D Fiend Folio - the ultimate drone-metal monster?

Monday, April 12, 2010

Trace Hodgson















Wow... the top one's from his from his Nanosecond strip (2007) and the bottom one's from his 1980s Listener strip (!) Shafts Of Strife.
Both can be read/viewed at: http://www.insanitywetrust.com/trace/tracehodgson.htm - fantastic stuff!

Thursday, April 8, 2010

Monday, April 5, 2010

Sunday, April 4, 2010

Oz magazine II






















Don't tell "C.A." - Oz magazine #31, 1970.

Oz Magazine








Off The Record by JFKLN (?), Oz magazine #31 1970.

Saturday, April 3, 2010

Monster Men review

Monster Men Bureiko Lullaby
Takashi Nemeto
Picturebox Inc.




The first English translation of Japanese heta-uma (bad-good) cartoonist Takashi Nemeto’s outrageous graphic novel from the mid-80s, the hair-raising antics depicted throughout Monster Men Bureiko Lullaby expose readers to a super-intense world of hilarity and woe. The first thing I thought when I got the shrink wrap off this volume and flicked through was “Uh-oh... I hope I don’t get raided by the cops”. A collection of short stories combined with the longer The World According To Takeo, there’s also an interview with Nemeto and multiple text pieces to contextualise his works. The longer story tells the tale of the relationship between a radioactive lunatic and his son, a lonely gigantic sperm. Beyond the constant sex and frequent violence a subtle sense of pathos and moral reflection lurks amongst his characters. The surface crudeness belies the impeccable craft involved in constructing these improvised narratives - the amoral world Nemeto creates is compelling and perversely addictive, while his drawings and page layouts compliment his themes smoothly. Certainly not for the faint-hearted, well outside the bounds of what currently constitutes acceptability in the graphic novel realm yet perhaps essential because of it - Monster Men Bureiko Lullaby is difficult and highly rewarding reading.


Chris Cudby

(originally published in Real Groove magazine, February 2009)

Friday, April 2, 2010

Popeye








from E.C. Segar's Mystery Melody sequence.

Wednesday, March 31, 2010

I... plus Invisible Powers











































drawn while looking after the High Seas, 1 April, 2010

Wednesday, March 24, 2010

Floater























drawn at the High Seas 25 March 2010

Saturday, March 20, 2010

The Liberator / ZHAR










































The Liberator by Herikberto (page two) from Heavy Metal mag August 1984... plus cover to ZHAR num. 4 by Hugo Pratt - nice logo.

Thursday, March 18, 2010

Blue Mask


Drawn while looking after the High Seas 2-day... click to enlarge.

Things I picked up in Wellington...






Thanks Wellington! Extra thanks to Don for the copy of Mr A!